Atoms with Consciousness: Yo-Yo Ma Performs Richard Feynman's Ode to the Wonder of Life, Animated

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"Out of the cradle onto the dry land… here it is standing… atoms with consciousness… matter with curiosity… I… a universe of atoms… an atom in the universe…
This is the final installment in the nine-part animated interlude season of The Universe in Verse in collaboration with On Being, celebrating the wonder of reality through stories of science winged with poetry. See the rest here.

THE ANIMATED UNIVERSE IN VERSE: CHAPTER NINE

Here we are, each of us a portable festival of wonder, standing on this rocky body born by brutality, formed from the debris that first swarmed the Sun 4.5 billion years ago and pulverized each other in a gauntlet of violent collisions, eventually forging the Moon and the Earth.

Here we are, now standing on it, on this improbable planet bred of violence, which grew up to be a world capable of trees and tenderness. A conscious world. A world shaped by physics and animated by art, by poetry, by music and mathematics — the different languages we have developed to listen to reality and speak it back to ourselves.

Here we are, voicing in these different our fundamental wonderment: What is all this? This byproduct of reality we call life: not probable, not even necessary, and yet it is all we know, because it is all we are, and it is with the whole of what we are that we reckon with reality, that we long to fathom it — from the scale of gluons to the scale of galaxies, from the mystery of the cell to the mystery of the soul.

Every once in a while — perhaps once or twice a century, if we are lucky — atoms shed by dying stars constellate into a living mind so shimmering, so uncommonly gifted in multiple fathoming-languages, that poems and paintings, elegies and equations, theorems and songs spring from it with equal ardor and equal beauty. Rebecca Elson was one. Richard Feynman (May 11, 1918–February 15, 1988) was another — a Nobel-winning physicist, a philosopher, an artist, composer of the world's most lyrical footnote and most bittersweet…
Maria Popova
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