Antonio Enríquez Gómez

Spanish writer
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name in native language
Antonio Enríquez Gómez (spanish)
alias
Antonio Enriquez Gomez
date of birth
1600
date of death
1663
media
Wikipedia creation date
10/23/2005
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Wikipedia opening text
Antonio Enríquez Gómez (c. 1601 – c. 1661), Spanish dramatist, poet and novelist of Spanish-Jewish origin, was known in the early part of his career as Enríque Enríquez de Paz. Furthermore, certain of his works feature the alternate spelling Antonio Henrique Gómez. Born at Segovia, he entered the army, obtained a captaincy, was suspected of heresy, fled to France about 1636, assumed the name of Antonio Enríquez Gómez, and became major-domo to Louis XIII, to whom he dedicated Luis dado de Dios 4 Anna (Paris, 1645). Some twelve years later he removed to Amsterdam, avowed his conversion to Judaism, and was burned in effigy at Seville on April 14, 1660. He is supposed to have returned to France, and to have died there in the following year. Three of his plays, El Gran Cardenal de España, don Gil de Albornoz, and the two parts of Fernán Mendez Pinto (based on the life of the Portuguese explorer Fernão Mendes Pinto) were received with great applause at Madrid about 1629; in 1635 he contributed a sonnet to Montalbán's collection of posthumous panegyrics on Lope de Vega, to whose dramatic school Enríquez Gómez belonged. The Academias morales de las Musas, consisting of four plays (including A lo que obliga el honor, which recalls Calderón's Médico de su honra) was published at Bordeaux in 1642; La torre de Babilonia, containing the two parts of Fernán Mendez Pinto, appeared at Rouen in 1647; and in the preface to his poem, Sansón Nazareno (Rouen, 1656), Enríquez Gómez gives the titles of sixteen other plays issued, as he alleges, at Seville. There is no foundation for the theory that he wrote the plays ascribed to Fernando de Zárate. According to the Encyclopædia Britannica Eleventh Edition, "[h]is dramatic works, though effective on the stage, are disfigured by extravagant incidents and preciosity of diction. The latter defect is likewise observable in the mingled prose and verse of La culpa del primer peregrino (Rouen, 1644) and the dialogues entitled Política angélica (Rouen, 1647). Enríquez Gómez is best represented by El siglo pitagórico y vida de don Gregorio Guadana (Rouen, 1644), a striking picaresque novel in prose and verse which is still reprinted."
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