Anywhere Festival is an annual Brisbane based festival for performance anywhere but traditional theatre spaces. The first anywhere-but-in-a-traditional-theatre concept was brought to Brisbane in 2011 by creative director Paul Osuch and his partner, Ally McTavish. Their theory is that we need to take traditional story-telling out of theatre buildings and back to where life really takes place, in the community. The festival – which holds performances anywhere but in a traditional theatre – began in 2011 with 4000 attendees and 31 productions. Since it began, the Anywhere Festival (they dropped the "Theatre" in 2015) has grown in size and popularity as it inhabited the nooks and crannies of this city of ours The idea behind Anywhere is that the art of theatre should not be constrained by, well, a theatre nor by a time frame of two plus hours with interval, or even a genre. The idea behind Anywhere Festival is that you don't - you shouldn't - have to go to a traditional theatre space to see theatre. You shouldn't have to pay a lot of money for tickets, and artists shouldn't be limited by space or cost or time. For 10 days this month, you can see exciting theatre in parks, backyards, bedrooms, lifts, trains and even on Twitter, not just in Brisbane but as far away as Toowoomba to the west, and Yandina to the north. "The festival is about theatre anywhere but in a theatre," explains Paul Osuch, the mastermind behind the festival. He started Anywhere with his wife, Alex McTavish. "I could see people wanted exciting theatre that didn't have to happen in a theatre," he says. "What kicked it over the line was when English actor Ian McKellen couldn't find a theatre space in Brisbane to bring his acclaimed Waiting for Godot. I figured that if he had trouble getting into a Brisbane theatre there were probably a lot of less-well-known theatre producers with the same problem." It wasn't just a lack of available theatre venues that prompted him to act. Osuch says he found many traditional theatre spaces were restrictive, both for audiences and artists, and smothered in an air of "elitism" that was turning people away. "I find that most performances in a theatre space are just a little sterile. And parking's difficult, the drinks are generally overpriced and, as someone over the height of six foot, I'm not a big fan of theatre seating where I have to watch a show through the gap in my knees," he says. "I feel that the traditional theatre spaces stop more people going to experience it than it regularly attracts. It's been turned into this big thing with a huge infrastructure around it instead of it being something that people feel they can pop along to in their own neighbourhood or do themselves." "Ultimately, the Anywhere Festival is about entertainment and theatre but it is also about encouraging businesses to engage with their community in a new way", says co-founder and creative producer, Alex McTavish." "It may seem like it is a simple arts festival but community and communion is what it's all about," she says. The festival is held in Brisbane, Mackay, Frankston and Parramatta.